Music production
From the first voice note to the final arrangement. I build the track around the song, not the other way round, and I keep pushing until it feels like you.
- Songwriting
- Arrangement
- Beats
I work with independent artists who take the craft seriously and need someone in their corner who does the same. From the first idea to the day it lands on every platform.
Artists across genres, languages, and stages of a career. Some I produce. Some I manage. Some both.
Cutting a debut EP, chasing a mix that finally translates, or trying to run the business side without losing the plot. I cover all three, so you are not stitching together three different people.
From the first voice note to the final arrangement. I build the track around the song, not the other way round, and I keep pushing until it feels like you.
Recording and mixing in Logic Pro, with live and studio experience across genres. Every element earns its space, and the mix holds up on phone speakers and in the car.
Release planning, bookings, industry relationships, and a second pair of eyes on every deal you are asked to sign. The parts that quietly eat your week.
A cross section of production, engineering, and management work across independent artists and commercial projects.
My mother came with the lyrics and the melody already in her head. I built the arrangement and mix around exactly what she wanted to hear.
Khalil showed up with lyrics and a melody. I shaped it into a finished track that matched his vision, and I've been his only producer since
Commissioned through the ad agency CDA for the local ice cream shop Blu Penguin, sung by Katem Bahouth and Sara El Raed. Their vision, my execution.
A graduating class with only a vibe and a reference track. I wrote the lyrics with them, composed the song, and took it through recording, mix, and master.
Same tradition, a different class. I led them through the idea, co-wrote the lyrics, composed it, and carried it through to a finished master.
“Chris is extremely helpful and professional in what he does. It’s always been a great experience working together.”
Nasif Francis
“It’s always a pleasure to work with Chris. I am pretty new to this industry and Chris guided me through all of this. I couldn’t have wished for someone better!! The whole production process is also great. He is incredibly talented, gives you a lot of creative freedom and also brings great ideas to the table. He’s also very honest and gives constructive feedback, but it never feels insulting or discouraging. He does everything to bring out the best out of the work. Working with Chris is always a pleasure, a lot of fun and the results are incredible!”
Yiming
I didn't have a studio, gear, or clients. None of the things you're supposed to have. Just a laptop, some ideas, and a stranger who asked me if I knew a place to produce an album.
I said, yes, me.
I had nothing. But I took the money, called my father, and told him we were building a studio, because that's the lie I'd just sold. 72 hours later, I didn't have to lie anymore. The studio existed.
That's who I am.
Producer, sound engineer, artist manager. Everything I've built has been on the back of saying yes before I was ready, then figuring it out fast enough that nobody noticed.
Nobody taught me this industry. No mentor pulled me aside. No one handed me a roadmap or told me what to do when a client shows up with a dream and a deadline. I read the books. I watched the interviews. I listened to every podcast I could find. I learned the legal side, the business side, and the creative side, not because I wanted to, but because nobody else was going to do it for me.
Somewhere in the middle of all that, I realised something. The artist shouldn't have to carry any of this. They shouldn't be their own manager and their own lawyer and their own booking agent and their own marketing department. They shouldn't be drowning in the parts of the industry that have nothing to do with the music. That weight kills careers before they start, and I've watched it happen.
When I was starting out, I needed someone in my corner. Someone who knew the path, or was at least honest enough to say, I don't know this part yet, but we'll figure it out together. I didn't have that. I think about that version of me a lot. Ideas and no direction, potential and no structure, hunger and nobody to channel it.
I'm not here to take a percentage and disappear. I'm not here to tell you what you want to hear. I'm here to walk with you from wherever you are now to wherever the work deserves to go. Production, engineering, release, strategy, all of it. If I hit something I don't know yet, I'll tell you, and then I'll go learn it.
That's the only promise I can make, and it's the only one that matters.
Four steps from first message to finished record. No intake forms, no handoffs to strangers, no wondering who is actually doing the work.
The project, the artist, and what a win actually looks like for you. Thirty minutes, no charge.
Clear deliverables, a timeline, and a price. One simple agreement and no surprises later.
Studio or remote. We build, refine, and keep iterating until the work is genuinely right.
Final files, stems, and masters, or a full release plan if I'm managing the rollout.
Artist, label, or brand. If the work is serious, the conversation is worth having. Based in Munich, studio in Nazareth, working with people everywhere.